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New York Rules

Taste, place and access · Chapter 1 of 3

A Shoe Store Kid Who Learned Hospitality

On fifteen years behind a counter, and a cereal bar that makes no money.

3 min read

Ronnie Fieg started sweeping floors in his family's New York shoe business when he was thirteen.

Hold on to that, because it explains everything that follows. He spent years watching real people walk into a shoe store, pick things up, turn them over, and put them down. Thousands of small decisions made in front of him by people who did not know they were teaching anybody anything.

That is a kind of research nobody can buy. It does not appear in any deck. It cannot be commissioned, because the thing that makes it valuable is the volume and the boredom of it. Most brands substitute a survey and a focus group and then wonder why their range feels like it was designed by a committee, which it was.

In 2007 he designed a version of the Asics Gel-Lyte III in a colourway nobody expected. It sold out in hours.

Nothing about the shoe was new. The mould existed, the factory was unchanged, the technology was decades old. What was new was one person's specific eye applied to it, and the market paid for that eye. It is the moment the curator became the product.

Kith followed from that. A shop, then several, then clothing, then a business that operates somewhere between a retailer and a brand. And the thing that made the stores famous was not the clothes.

Kith Treats is a cereal bar inside the store. You can get a bowl of cereal with things on it. It makes almost no money and it is the single most photographed object in the building.

Which is exactly the point. It converts the shop from a place you go when you want something into a place you go. That is a completely different frequency. A shop that exists for transactions is empty on every day nobody needs a jacket; a place worth visiting gets visited on ordinary Tuesdays, and a proportion of those visits turn into purchases that were never planned.

The industry term is retail as hospitality, and the thing it is really borrowing is how a restaurant treats somebody who has not ordered yet. Welcome first, transaction later, nobody made to feel they have to justify standing there. That posture is completely ordinary in hospitality and rare enough in fashion retail that adopting it makes a shop remarkable.

Then there is the motto: Just Us.

It is an exclusion. It says there is an inside and you might not be in it. Every instinct in modern marketing says not to do this, because it appears to shrink your market.

It does shrink your market, and that is what makes it work. Naming a defined group makes the people inside feel chosen, and feeling chosen is one of the strongest reasons anybody buys anything. A brand that claims to be for everybody gives nobody the experience of having been picked, which is why so much inclusive brand language produces no loyalty at all.

The uncomfortable part of the Kith story is the part nobody wants: fifteen years behind a counter before anybody knew his name. Not networking, not building a following. Watching people choose shoes, in a family business, for years, until he knew something about what people reach for that could not be learned any other way.

Just Us.
the Kith motto, which is about who is in the room

Where you'll meet this

Kith Treats, a cereal bar inside the store, makes almost no money and is the single most photographed thing in the building. It exists to give people a reason to walk in.